Play-Making

derations. Art, to him, is simply self-expression. He writes to please himself, and has no thought of currying favour with an audience, whether intellectual or idiotic." To this I reply simply that to an artist of this way of thinking I have nothing to say. He has a perfect right to express himself in a whole literature of so-called plays, which may possibly be studied, and even acted, by societies organized to that laudable end. But the dramatist who declares his end to be mere self-expression stultifies himself in that very phrase. The painter may paint, the sculptor model, the lyric poet sing, simply to please himself,[5] but the drama has no meaning except in relation to an audience. It is a portrayal of life by means of a mechanism so devised as to bring it home to a considerable number of people assembled in a given place. "The public," it has been well said, "constitutes the theatre." The moment a playwright confines his work within the two or three hours' limit prescribed by Western custom for a theat