The Woman in White
Book Excerpt
his hand, the golden Papa has a letter; and after he has made his excuse for disturbing us in our Infernal Region with the common mortal Business of the house, he addresses himself to the three young Misses, and begins, as you English begin everything in this blessed world that you have to say, with a great O. 'O, my dears,' says the mighty merchant, 'I have got here a letter from my friend, Mr.----'(the name has slipped out of my mind; but no matter; we shall come back to that; yes, yes--right-all-right). So the Papa says, 'I have got a letter from my friend, the Mister; and he wants a recommend from me, of a drawing-master, to go down to his house in the country.' My-soul-bless-my-soul! when I heard the golden Papa say those words, if I had been big enough to reach up to him, I should have put my arms round his neck, and pressed him to my bosom in a long and grateful hug! As it was, I only bounced upon my chair. My seat was on thorns, and my soul was on fire to speak but I held my tongue, and let Papa go...
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As for some of the characters-I'm not that familiar with the customs of the Brits during that time period, but the first part of the book seemed to have an undercurrent of lesbianism between Marian and Laura. Maybe it was customary of loving sisters at the time, but their touchy, feely, lip-locky behavior would likely be seen differently today. Not making any criticisms on that front; it was probably all that Collins could get away with in 1850. It also seemed that Laura was perhaps as feeble minded as Anne, just less noticeable, given her very different upbringing. Ultimately, she knew she had to marry a man though, as society required, but Marian would always be there-always.
One last thing: Did Walt ever go back to court on that assault thing? Again, such a convoluted story maybe I missed that.
and that\'s why i just luv it!
the thing that we don\'t expect is exactly what we need to have new visions of the life and that what this novel if full of.
From the very first chapter the reader is drawn into a web of intrigue, mystery and fear which doesn't let up till the denouement. The twists and turns create real tension and it is difficult to finish a chapter without wanting to press on to the next - quite an achievement for a novel of this length.
The reviewer who is complaining about the story presenting an inadequate feminist statement has obviously not paid attention to the character Marian Holcombe (the heroine's friend and alter ego). The nominal heroine Laura Fairlie IS relatively colourless, which is how she's been consciously portrayed by the author for good plot-related reasons, but that says nothing about the author's own feminist beliefs or non-beliefs. (Read Wilkie Collins' other novels No Name and Armadale if you are looking for strong female protagonists). In The Woman in White, you need to look out for that unforgettable character, Count Fosco.
A book not to be missed, even by those who are ambivalent towards the classics.