A Book of Operas

But neither Phillipps nor Garcia was the first to present an operatic version of Beaumarchais's comedy to the American people. French operas by Rousseau, Monsigny, Dalayrac, and Grétry, which may be said to have composed the staple of the opera-houses of Europe in the last decades of the eighteenth century, were known also in the contemporaneous theatres of Charleston, Baltimore, Philadelphia, and New York. In 1794 the last three of these cities enjoyed "an opera in 3 acts," the text by Colman, entitled, "The Spanish Barber; or, The Futile Precaution." Nothing is said in the announcements of this opera touching the authorship of the music, but it seems to be an inevitable conclusion that it was Paisiello's, composed for St. Peter