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Six Centuries of Painting
Six Centuries of Painting
1300-1900
Book Excerpt
ery much improved the art, relieving it greatly from their uncouth manner and doing honour to his country by the name that he acquired and by the works which he performed. Of this we have evidence in Florence from the pictures which he painted there--as for example the front of the altar of Saint Cecilia and a picture of the Virgin, in Santa Croce, which was and still is (i.e. in 1550) attached to one of the pilasters on the right of the choir."
Unfortunately the very first example cited pulls us up short alongside the official catalogue of the Uffizi Gallery (where the picture was placed in 1841), in which it is catalogued (No. 20) as "Unknown ... Vasari erroneously attributes it to Cimabue."
Tiresome as it may seem to be thus distracted, at the very outset, by the question of authenticity, it is nevertheless desirable to start with a clear understanding that in surveying in a general way the history and development of painting, it will be quite hopeless to wait for the final word on t
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FEATURED AUTHOR - 'The Plotting Shed' (see her blog http://www.intheplottingshed.com/) was Alex Martin's first writing space at the bottom of her Welsh garden. Now she splits her time between Wales and France and plot wherever she is. She still wanders aimlessly in the countryside with her dog and her dreams and she can still be found typing away with imaginary friends whispering in her ear, but these days she has the joy of seeing her stories published and the treasured feedback from readers who've enjoyed them.