How the Piano Came to Be

How the Piano Came to Be

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How the Piano Came to Be by Ellye Howell Glover

Published:

1913

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How the Piano Came to Be

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Book Excerpt

ecause it had too few strings, only ten to fourteen, while at the time of his writing it had sixteen to twenty-six. He makes the statement that he never spent more than a shilling a quarter for strings. The care of a lute he describes quaintly:

"And that you may know how to shelter your lute in the worst of ill weathers (which is moist) you shall do well, ever when you lay it by in the day time, to put It into a Bed that is constantly used, between the Rug and Blanket, but never between the Sheets, because, they may be moist. This is the most absolute and best place to keep It in always, by which doing, you will find many Great Conveniences. Therefore, a Bed will secure from all these inconveniences and keep your Glew as Hard as Glass and all safe and sure; only to be excepted, that no Person be so inconsiderate as to Tumble down upon the Bed whilst the lute is there, for I have known several Good lutes spoiled with such a Trick."

Again we are indebted to Italy for the invention and name of the